![]() The list below will help you understand which chord used in this sheet is a drop 2 and which one is a drop 3. The easy transcription with TABS and standard notation below takes the most common drop 2 and drop 3 voicings to play Autumn Leaves. However, these kinds of voicings sounds great on the guitar too. Many composers and arrangers have used them, especially for big bands in brass sections. Drop 2 and drop 3 chords are very common in all kinds of jazz arrangements. The principle of drop voicings is to take a close position chord and move the second highest note (drop 2) or the third highest note (drop 3) one octave lower to create an open chord. This technique applies to any jazz standard as it is the case in the Autumn leaves sheet below. They are very useful when working on orchestrations or arrangements. Blue Bossa - Butch Warren Bass Line (7 Ch.) + Solo. So let's quickly recap what are d rop voicings. These chords can be used to create beautiful and rich harmonies. He died of lung cancer in Silver Spring, Maryland at the age of 74.The best way to understand and hear the harmony of Autumn leaves is to play basic chords using drop 2 and drop 3 voicings. His only solo effort was captured on "Butch's Blues" but he was better known as a sideman on many albums, including Dexter Gordon's Go. Elizabeths Hospital. He was diagnosed with paranoid schizophrenia.įollowing the onset of his illness he played professionally only occasionally, including a regular gig at the jazz club Columbia Station in Washington D.C. Many thanks to Cy Schmidt who started the transcription and was supervised by 11-transcript. Moving back to D.C., he admitted himself to St. Here is the transcription for Dexter Gordon his Blue Bossa solo. TAB/partitura en PDF con Mercado Pago o PayPal Avisar del pago y pedir PDF a Mercado Pago: 3000 alias: seuposconi.mp. It was introduced on Joe Hendersons 1963 album Page One.A blend of hard bop and bossa nova. Monk's band was surrounded by drugs and Warren quit after a yearlong tour. 'Blue Bossa' is an instrumental jazz composition by Kenny Dorham. Months later, Thelonious Monk hired the 23-year-old Warren. In 1963, his friend Sonny Clark died of an overdose. Mental illness and heroin addiction created problems for Warren. ![]() One subscription across all of your devices. Download and Print scores from a huge community collection ( 1,904,471 scores ) Advanced tools to level up your playing skills. View Official Scores licensed from print music publishers. During this job he played on "Watermelon Man" with Herbie Hancock. As sideman, he also recorded with Miles Davis, Hank Mobley, Donald Byrd, Dexter Gordon, Joe Henderson, Jackie McLean, and Stanley Turrentine. Play the music you love without limits for just 9.99 3.33/month. Alfred Lion, president of Blue Note, hired Warren to fill the vacancy of staff bassist. Through his friendship with Sonny Clark he recorded for Blue Note Records in 1961 on Clark's album Leapin' and Lopin'. A few days later, Dorham invited him to New York City, where he spent the next six months as a sideman at a club in Brooklyn. He appeared on his first recording in January 1960 with Dorham, saxophonist Charles Davis, pianist Tommy Flanagan, and drummer Buddy Enlow. When he was 19, he sat in with Kenny Dorham to substitute for an absent bassist. He later worked with other local groups, including that of Stuff Smith, as well as with altoist and bandleader Rick Henderson at the Howard Theatre. Warren began playing professionally at age 14 in a Washington, D.C. Warren has cited Jimmy Blanton, another Ellington bassist, as his biggest inspiration. The first time Butch Warren played bass was at home on an instrument left by Billy Taylor, who had played bass for Duke Ellington. The Warren home was often visited by jazz musicians Billy Hart, Jimmy Smith, and Stuff Smith. His father, Edward Sr., was an electronics technician who played piano and organ part-time in clubs in Washington, D.C. (Aug– October 5, 2013) was an American jazz bassist who was active during the 1950s and '60s.
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